| (.) Experiential and Cerebral |
| Eudaimonia Description (305KB - PDF) |
Volkhardt Mueller, Tim Dollimore, Cat Radford, Paula Crutchlow
Blind Ditch Artists Collective |
|
L'Instant Décisif Description (2MB - PDF) |
| |
Paul Verity Smith
Brunel University UK |
|
The Shoemakers' Ball: A Ball with a difference Abstract (52KB - PDF) |
| |
Luis C. Sotelo
University of Northampton UK |
|
Dancing in the Streets: Interactive play and digital performance Abstract (48KB - PDF) |
| |
Scott Palmer and Sita Popat
Leeds University UK |
|
Scentsory Wave: (re)active clubwear for wider waves of feeling Full Paper (225KB - PDF) |
| |
Jenny Tillotson
Central Saint Martins UK |
| |
The Pipeline Pinball Energy Thrill Ride Game: Interactions of
Performance Narrative and Serious Video Gameplay Abstract (64KB - PDF) |
| |
Lori Shyba
University of Calgary CANADA |
| (.) Human Computer Interaction |
| Exploring the Livingroom: How to get more of an onstage physical kick for your virtual bytes Abstract (40KB - PDF) |
Brian Curson, Robin Stuart
al'Ka-mie Intermedia Theatre |
| Digital Live Facial Expression Abstract (36KB - PDF) |
| |
Arthur Elsenaar and Remko Scha
Institute of Artificial Art Amsterdam |
| |
HCI Live@FACT Full Paper (11MB - PDF) |
|
David England(1), Marta Rupérez(2), Caen Botto, Josh Nimoy
(1)Liverpool John Moores University UK, (2)FACT UK |
|
An Approach to the Design and Evaluation of Pleasurably Interactive Systems for Playful Environments Full Paper (142KB - PDF) |
| |
Jane Holt, Simon Lock
Lancaster University UK |
|
Establishing Rapport with a Virtual Dancer Abstract (43KB - PDF) |
| |
Anton Nijholt, Dennis Reidsma, Herwin van Welbergen
University of Twente, NETHERLANDS |
|
Interactive Scenographies: Interfaced Bodies and Dynamic Systems Abstract (56KB - PDF) |
| |
Sophie Lavaud-Forest
Université Paris 1 - Panthéon-Sorbonne, FRANCE |
|
Movement, Affect, Intensity: Bodies and Populations in Interactive Sound Art Abstract (22KB - PDF) |
| |
Will Schrimshaw
Newcastle University UK |
| (.) Technical |
|
Physical Flight Through Cyberspace: an Interactive Ultra-Light Cable Array Mobile with Novel Input Methods Abstract (34KB - PDF) |
| |
Jon Schull and Brian Ballsun-Stanton
Rochester Institute of Technology USA |
|
Augmented Scenery: Expanding the Layer/Mask Paradigm to Flexible Surfaces and Generalized Anamorphosis Abstract (56KB - PDF) |
| |
Christian Jacquemin(1), Georges Gagneré(2)
(1)LIMSI & Université Paris, France, (2)Compagnie Incidents Mémorables, FRANCE |
|
G-Vision: Vision-based gesture and motion recognition software for real-time analysis within interactive installation and performance scenarios Full Paper (776KB - PDF) |
| |
Nigel Johnson, Stephen J McKenna, Kenny Morrison
University of Dundee UK |
|
Software as real-time musical instruments: On designing interfaces for creative expression Full Paper (84KB - PDF) |
| |
Thor Magnusson
University of Sussex UK |
|
Installation to Instrument: Rebuilding Will.0.w1sp for "Listening Between the Lines" at Ars Electronica 05 Full Paper (5MB - PDF) |
|
Kirk Woolford
Lancaster University UK |
| (.) Performance |
|
Memeweaving the FourFathers: From Muybridge, Marey, Fleischer and Theremin Down the Long and Winding Road to Live Digital Performance Full Paper (144KB - PDF) |
| |
Stephen Jacobs
Rochester Institute of Technology USA |
|
Hairline Cracks, From Weblog to Performance Full Paper (248KB - PDF) |
| |
Elouise Oyzon and W. Michelle Harris(1), Juanita Suarez(2)
(1)Rochester Institute of Technology USA, (2)SUNY College at Brockport, New York USA |
|
The Contour of the Void: Madness and Mediation in Sir Peter Maxwell Davies's Eight Songs for a Mad King Abstract (78KB - PDF) |
| |
T. Nikki Cesare
Tisch School of the Arts/New York University USA |
|
Extended Presence: The instrumentalised body in Marlowe: The Jew of Malta Abstract (16KB - PDF) |
| |
Stephanie Kuhn
University of Exeter UK |
